Oraison H. Larmon is a doctoral candidate in the Department of Information Studies at the University of California, Los Angeles. Larmon’s research centers around bodies, records and archives with specific focus on 20th century performance art in the Americas. Their dissertation introduces a new archival concept that re-configures how records come to represent gender variant bodies. Employing an innovative methodological approach, Larmon examines visual artists who create performances that address the body politics of race, gender and sexuality in archives throughout the Americas. This research breaks new ground by working across archival studies, gender studies and performance studies to propose a theory of transitions into records.

 

Larmon worked as an archivist at the Hemispheric Institute of Performance and Politics—a network of artists, scholars and activists from across the Americas who address social justice issues through research on performance. They also worked as an assistant curator at NYU Libraries, assisting with appraisal and preservation for collections in the Hemispheric Institute Digital Video Library. With pioneering feminist visual artist Martha Wilson, Larmon is co-curator of Franklin Furnace: Performance and Politics—an online collection that includes records of visual artists who confront social-political issues through performance art. They have presented research on performance archives at multiple academic and artistic institutions, and are currently writing an article on Julie Tolentino's THE SKY REMAINS THE SAME. Larmon is editor of Franklin Furnace: Performance and Politics (HemiPress).​​